a little dnb intro featuring everyone’s favorite gigantic german tennisman. sampled and sequenced using nanostudio, which really puts the butter on the spinach, imo.
a little dnb intro featuring everyone’s favorite gigantic german tennisman. sampled and sequenced using nanostudio, which really puts the butter on the spinach, imo.
we’ve got a new section in the lab dedicated to the iOS bits and bobs i’ve recorded in the 13:18 it takes to measure an x-ray rocking curve.
first up is a track knocked together using soundgrid, an app that mimics the tenori-on/monome 16×16 type sequencing. basically a mobile version of the tonematrix webapp, but with great soundcloud integration, a performance mode, and, crucially, free downloadable sample sets. check out the mifki website for a full list of features.
here’s the beginnings of a track. sprung from this on the language log:
A “dangling modifier” can follow the intended understood subject in a sentence and yet still dangle. That is (let me rephrase, since the traditional “dangling” metaphor isn’t very helpful): a subjectless non-finite clause in a phrase functioning as an adjunct may be hard to associate with a suitable target of predication even though the intended one is a subject noun phrase occurring earlier in the same sentence. Here is an example, from a short piece about comedian Russell Brand and singer Katy Perry that appeared in the UK newspaper Metro:
Russell Brand says Katy Perry’s God-fearing parents loved his ‘old school Englishness’ after showering them with chocolates.
In my judgment (your mileage may differ), the clause showering them with chocolates occasions a brief moment of involuntary surprise and puzzlement. One does a very brief double-take and then searches back for the right noun phrase to be understood as the one who does the showering.
The judgment is subtle. Some will say that they don’t see any unacceptability at all, and that’s fine for them; but I’m not interested in the reactions of those who managed to see instantly what the right interpretation was. I’m interested in the structural properties that trigger the slight flicker of syntactic disquiet for those that experience it. – Pullum